Mona Hatoum. Impenetrable. 2009. Black finished steel and fishing wire. 300 x 300 x 300 cm. Collection of Yuz Foundation. Installation view at Mathaf: Arab Museum of Modern Art, Doha. © Mona Hatoum; courtesy of Mathaf: Arab Museum of Modern Art; photo by Markus Elblaus.
WHAT IS MINIMALISM?

Minimalism commonly refers to an artistic tendency that came to prominence in 1960s New York. It is characterised by geometric forms which are often repeated in series, as well as by its use of industrial processes and materials.

 
Tan Ping. +40m. 2012. Woodblock print on paper. Number 14 in an edition of 15. Courtesy of the artist.
DISTILLING ART

By paring artworks down to their most essential elements, Minimalist artists intended to strip away individual expression and artistic decision-making and create a direct, unmediated encounter between the viewer and the art object in a specific space and time.

 
Peter Kennedy. Neon Light Installations. 1970–2002. Neon, composition board and synthetic polymer paint. 235 x 1192.2 x 8.6 cm. Purchased 2004. Collection of Museum of Contemporary Art Australia, Sydney. Installation view at Museum of Contemporary Art Australia, Sydney, 2005. © Peter Kennedy; courtesy of Peter Kennedy and the Museum of Contemporary Art Australia, Sydney.
BEYOND THE FRAME

This new approach to art opened a wide range of possibilities for the art that followed, which extended the experience of art beyond the work itself to include its environmental, social and political contexts. This has left a profound legacy which still resonates throughout contemporary art.

 
Richard Long. Ring of stones. 1982. Stone. 258 stones: 1068cm (diam., approx.). Acc. 1993.433. Purchased 1993 with funds from the International Exhibitions Program. Collection of Queensland Art Gallery, Brisbane.
A RADICAL TURNING POINT

Minimalism is also hailed for its significant impact on music, performance, design, fashion and lifestyle. Its influence continued to grow, reinforced by major exhibitions in New York and elsewhere. Similar tendencies arose concurrently around the world too, independently or in dialogue with American artists, such as Mono-ha in Japan. These have received increasing attention in recent years, spurred by the wider appreciation of global modern art, extending the established narrative of Minimalism beyond the United States.

 
Tatsuo Miyajima. Mega Death. 1999/2016. LED, IC, electric wire and infrared sensor. Dimensions variable. Domus Collection. Installation view at Tatsuo Miyajima: Connect with Everything, Museum of Contemporary Art Australia, 2016. © Domus Collection and Tatsuo Miyajima; courtesy of Tatsuo Miyajima and Museum of Contemporary Art Australia; photo by Alex Davies.
EXPERIENCE MINIMALISM

In presenting the first Minimalism-focused exhibition in Southeast Asia across two leading cultural institutions, visitors can expect a wide range of historical and contemporary works, immersive and site-specific installations, as well as interdisciplinary programmes from artists such as Mark Rothko, Carmen Herrera, Tatsuo Miyajima, Donald Judd, Anish Kapoor, Mary Miss, Olafur Eliasson, Margaret Leng Tan, Ai Weiwei, Mona Hatoum, Kim Lim, Charwei Tsai, Tang Da Wu, Jeremy Sharma and Lee Ufan.

Get the complete Minimalism experience with any two-venue ticket purchase.

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© National Gallery Singapore
ONE EXHIBITION. TWO VENUES.
NATIONAL GALLERY SINGAPORE

The exhibition at National Gallery Singapore looks at the emergence, development, and legacies of Minimalism from the 1950s to the present day. It considers how artists in Asia, the United States and Europe have explored ideas of presence and absence, often informed by Asian philosophies such as Zen Buddhism. The exhibition features more than 100 artworks, immersive and site-specific installations, and interdisciplinary programmes by over 60 artists.

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© ArtScience Museum
ONE EXHIBITION. TWO VENUES.
ARTSCIENCE MUSEUM

ArtScience Museum’s exhibition will present a thematic exhibition exploring form, colour and spirituality, presenting artworks which meditate on notions of emptiness, nothingness and the cosmological void – principles that are foundational to Minimalism and resonate with eastern philosophies and science.

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